I really need to draw more

This is the sketchblog of an animation art student... it's mainly to movtivate herself and put random epic stuff found on Tumblr. She lives on the other side of the world, and is thus slow to respond to anything.
You can find Ghost Trick and Hatoful Boyfriend fanart here, and random artsy stuff, art that is inspiring, etc
frikadeller:

Someone was asking me about braids. This is roughly what I do when I draw them (but more…. in 1 sketch layer, all in one step, because I’m too lazy to do the proper outline, but if you’re confused, or still figuring out how they works especially when twisted or in motion, then outline will help).
You can also try braid your hair or someone else’s hair to see how it actually works, the folding, and also the different styles.
This is really very basic and just to get you started. Braids aren’t scary! They’re so much fun to draw ok ok ok <3

frikadeller:

Someone was asking me about braids. This is roughly what I do when I draw them (but more…. in 1 sketch layer, all in one step, because I’m too lazy to do the proper outline, but if you’re confused, or still figuring out how they works especially when twisted or in motion, then outline will help).

You can also try braid your hair or someone else’s hair to see how it actually works, the folding, and also the different styles.

This is really very basic and just to get you started. Braids aren’t scary! They’re so much fun to draw ok ok ok <3

(via discosmackdown)

Paint Some Life into Your Skin Tones

dredsina:

[From DaniDraws.com]

One of the biggest challenges a beginning painter will face is learning to paint flesh tones. The skin is highly complex, made up of varying colors and textures; if you get one thing wrong, you could end up with some pretty scary results.

Here’s a few simple tips to help you conquer this problem.

Read More

erebusodora:

Um…My feeds got a bit overloaded with the questions, like, “HOW DO YOU COULSON?”, and stuff like that. So I made this sketchy “how to” thing, just for your entertainment.Mind that I’m always thorough and almost behaving like Dr. Mortimer (OH THAT SKULL I WANT TO STUDY MOAR- ahem, excuse me) during my researches - which makes me a bit incoherent in explanations. Anyway, I do hope these tips can help those who have just started their way on the noble road of Coulson fan art xD

erebusodora:

Um…
My feeds got a bit overloaded with the questions, like, “HOW DO YOU COULSON?”, and stuff like that. So I made this sketchy “how to” thing, just for your entertainment.

Mind that I’m always thorough and almost behaving like Dr. Mortimer (OH THAT SKULL I WANT TO STUDY MOAR- ahem, excuse me) during my researches - which makes me a bit incoherent in explanations. Anyway, I do hope these tips can help those who have just started their way on the noble road of Coulson fan art xD

rufftoon:

peppermimint:

LOOK WHAT I FOUND ON GOOGLE-

 You never know when images just pop up. Internet, you’re full of surprise.

rufftoon:

peppermimint:

LOOK WHAT I FOUND ON GOOGLE-

 You never know when images just pop up. Internet, you’re full of surprise.


Button – Also known as a pommel nut, pommel bolt, capstan rivet, or tang nut. In some swords, the button is screwed on to the end of the tang to hold the grip on.
Pommel – The counter-weight at the end of the grip.
Grip – Handle
Tang – The hidden part of the blade which the grip is mounted to.
Shoulder – The corner portion where the tang and the blade meet.
Guard – A blanket term for all the parts that protect the hand.
Quillon – Extended portions of the guard.
Écusson – or quillon block. The metal center where the quillons meet and all parts of the guard attach to.
Ricasso – Unsharpened portion of the blade which extends from the grip to the end of the guard.

Button – Also known as a pommel nut, pommel bolt, capstan rivet, or tang nut. In some swords, the button is screwed on to the end of the tang to hold the grip on.

Pommel – The counter-weight at the end of the grip.

Grip – Handle

Tang – The hidden part of the blade which the grip is mounted to.

Shoulder – The corner portion where the tang and the blade meet.

Guard – A blanket term for all the parts that protect the hand.

Quillon – Extended portions of the guard.

Écusson – or quillon block. The metal center where the quillons meet and all parts of the guard attach to.

Ricasso – Unsharpened portion of the blade which extends from the grip to the end of the guard.

(via art-of-swords)

[Flash 10 is required to watch video]

bryankonietzko:

I “performed” this “dance” for video reference of this kid in episode 302 of Avatar, “The Headband.” I rarely shy away from making a complete ass of myself in the name of fun, so I thought I’d share this with you guys. This was taped back in 2006, but I think my back still hurts.

villainsgoleft:

villainsgoleft:

Here are the brushes I use! I definitely don’t use them to their full potential so if anyone else tries this out I’ll be excited to see what they can really do, lmao.

I put next to them what I generally use them for.

Crayon 1 just indicates that it’s not the default crayon tool.

And Marker is just an alteration on the default marker tool, it’s not a new one iirc.

Oh! And Brush 4 I got from Marcia.

adding more new brushes I use

Brush 5 will literally pick up the color from where you put your pen down first rather than use the color you have color-dropped, so be careful with that I guess lmao.

(via rockerfox999)

flightofdeathfrench:

fuckyeahcharacterdevelopment:

Hey guys! Sorry its been so inactive around here. I’m slowly but surely getting finished with my finals.
Anyway, I found this and thought I had to share. The way body language can tell how a person is really feeling is something that I consider very interesting. I think it would be a great way to show, in a subtle way, how a character is really feeing.
Hope its useful! And good luck with finals! Hopefully, this place will be a bit more active once summer kicks in.

THIS IS FREAKING AWESOME

flightofdeathfrench:

fuckyeahcharacterdevelopment:

Hey guys! Sorry its been so inactive around here. I’m slowly but surely getting finished with my finals.

Anyway, I found this and thought I had to share. The way body language can tell how a person is really feeling is something that I consider very interesting. I think it would be a great way to show, in a subtle way, how a character is really feeing.

Hope its useful! And good luck with finals! Hopefully, this place will be a bit more active once summer kicks in.

THIS IS FREAKING AWESOME

(via ayunthefrog)

Weekend Links: Writing Dialogue

fictionfiction:

A lot of people assume dialogue is easy to write because ‘It’s just a conversation! I have those all the time.’ 

But real conversations are, for the most part, really boring:

  • Lots of verbal tics (uh, um, like, well, I mean)
  • Lack of conflict (How was your day? Great, yours? Pretty good!) 
  • Cliches and repetitive phrasing 

Writing dialogue that too closely mirrors real conversation will give you lots of repetition on the page. You don’t want that. Repetition is bad. It’s boring. It sucks. It’s totally lame.

All that said, here are a few essential reads re: writing dialogue that is great and awesome.

On Punctuation 

On Saidisms and Dialogue Tags:

On Pacing and Creating Conflict:

On Info-Dumping, Hollywood Narration and As You Know, Bob

(via angrydumpling)

For Novice Writers: the quick test for Are You Being Scammed Or Not…

neil-gaiman:

I read a sad case today of a young writer who had had her story rewritten into illiteracy by a so-called publisher, who then abused her in email when she wrote to complain. She wsn’t getting paid for her story — instead she was actually buying copies of the anthology to show people that she had sold a story. And I thought, it is time to remind the world, and to enlighten young writers, about…

Yog’s Law

Money flows towards the writer.


That’s all. All writers should remember it. 

When a commercial publisher contracts a book, it will pay an advance against royalties to the writer. Money flows towards the writer.

Literary agents make their living by charging a commission of between 10 and 20% on the sales that they make on behalf of their clients, the writers. When advances and royalties are paid by a publisher the agent’s percentage is filtered off in the direction of the writer’s agent but the bulk of the money still flows towards the writer.

If a publisher ever asks for any sort of financial contribution from a writer, they’re trying to divert money away from the writer, in direct contravention of Yog’s Law.

If an agent ever asks for up-front fees, regardless of what they call them (reading fees, administration costs, processing fees, or retainers), then they are trying to divert money away from the writer, in direct contravention of Yog’s Law.

It’s a brilliantly simple rule. We should thank James D Macdonald for it in the best way there is. Buy his books


Money flows toward the writer.

No, that doesn’t mean that the author should get paper and ink for free, or that he won’t pay for postage. It does mean that when someone comes along and says, “Sure, kid, you can be a Published Author! It’ll only cost you $300!” the writer will know that something’s wrong. A fee is a fee is a fee, whether they call it a reading fee, a marketing fee, a promotion fee, or a cheese-and-crackers fee.

Is this perfect? No. Scammers have come up with some elaborate ways to avoid activating it. But it’s still a good and useful tool, and will save a lot of grief. Any time an agent or publisher asks for money, the answer should be “No!”

(Source: howpublishingreallyworks.blogspot.com)

ADCOM ART THEFT: Adcom Art Theft/Tracing/Copying

okolnir:

adcomarttheft:

Who or what is Adcom?

Adcom is a creative training institute that uses artwork tracing as a method of learning. This is not something new or unheard of.

But Adcom has gone beyond the pale by using traced works in their advertising.

What exactly has happened?

Observe a sample of…

welp the MOST PROMINENT PART of this post is the ad itself and if there are a lot of tumblr scrolling skimmers in that region of the world, the poor construct of this post actually promotes their school more than anything else honestly.

BUT ON TOPIC

The most perplexing part of the current amateur/noob professional art scene is how DIFFICULT TO UNDERSTAND the concept of tracing and copying is. IT’S NOT THAT COMPLICATED. Trace and copy all you like for practice. Do whatever you need to learn and improve yourself. But don’t go posting those everywhere—let alone using it for any other purpose—with your name on it unless you’re granted rights to, because first of all it is not an accomplishment in the first place, and secondly if you “made it better”, your piece is still nothing without the original foundation and no one let you use the hard work put into making that foundation free of charge. Academic plagiarism is punishable by expulsion and people seem to understand why an essay with a paragraph or so copied from elsewhere is unacceptable, so I really cannot fathom why it takes such long winded discussions every single time this happens to explain to the culprit why they’re wrong.

Sorry for the frequent reblog and non art post lately, I will control myself from now on ]:

(via sandy-y)

stoicsilence:

to all you people who think drawing fanart is fine

you know who else drew fanart 

hitler

think about that the next time you draw fanart

(via flamingold2)